tag:blogger.com,1999:blog-83273832742671194372024-02-19T03:09:13.156-08:00Arquitectura y ProgramaciónDiseñar programando es una alternativa en la educación del arquitecto, en especial para darle solución al problema del diseño y fabricación de formas complejas.Pablo C. Herrerahttp://www.blogger.com/profile/04232968762236315359noreply@blogger.comBlogger90125tag:blogger.com,1999:blog-8327383274267119437.post-76736023765819895952014-01-21T17:53:00.004-08:002014-01-21T17:54:33.973-08:00Reutilizando códigos en arquitectura como mecanismos de información y conocimiento. Por Pablo C. Herrera<span style="background-color: white; font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Trebuchet, 'Trebuchet MS', Arial, sans-serif; font-size: 14px; line-height: 18px;"></span><br />
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Pablo C. Herrera 2013 (pp. 238-253)<br />
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Herrera, P. (2013). Reutilizando códigos en arquitectura como mecanismos de información y conocimiento: De la programación escrita a la visual. En D. Rodriguez; M. Tosello; D. Sperling (Eds.). Didáctica Proyectual y entornos digitales: Prácticas y reflexiones en escuelas latinoamericanas de Arquitectura y Diseño. Valparaiso: Sociedad Iberoamericana de Gráfica Digital.</div>
Pablo C. Herrerahttp://www.blogger.com/profile/04232968762236315359noreply@blogger.com0tag:blogger.com,1999:blog-8327383274267119437.post-39211871190270292312013-11-21T17:55:00.000-08:002014-01-21T17:56:09.989-08:00Patrones en la Enseñanza de la Programación en Arquitectura. Por Pablo C. Herrera<span style="background-color: white; font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Trebuchet, 'Trebuchet MS', Arial, sans-serif; font-size: 14px; line-height: 18px;"><div class="issuuembed" data-configid="1550707/6397261" style="height: 300px; width: 400px;">
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Patrones en la Enseñanza de la Programación en Arquitectura por Pablo C. Herrera<br />
SIGraDi 2013 (pp. 555-559), UTFSM. Valparaiso, Chile. Noviembre 20-22. "Patrones en la Enseñanza de la Programación en Arquitectura: De la Hetero-Educación a la Auto-Educación en Latinoamérica".Pablo C. Herrerahttp://www.blogger.com/profile/04232968762236315359noreply@blogger.com0tag:blogger.com,1999:blog-8327383274267119437.post-21256928790274736092012-11-14T17:58:00.000-08:002014-01-21T17:59:43.688-08:00Reutilizando códigos como mecanismo de información y conocimiento<span style="background-color: white; font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Trebuchet, 'Trebuchet MS', Arial, sans-serif; font-size: 14px; line-height: 18px;"><div class="issuuembed" data-configid="1550707/6430726" style="height: 336px; width: 525px;">
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Reutilizando códigos como mecanismo de información y conocimiento<br />
Proceedings. SIGraDi 2012. Paper by Pablo C. Herrera, Universidad Peruana de Ciencias AplicadasPablo C. Herrerahttp://www.blogger.com/profile/04232968762236315359noreply@blogger.com0tag:blogger.com,1999:blog-8327383274267119437.post-75113688749457846512011-03-06T19:33:00.000-08:002011-03-13T19:21:39.978-07:00ALGODE 2011 International Symposium on Algorithmic Design for Architecture and Urban Design<div class="separator" style="clear: both; text-align: center;"></div><div style="margin-left: 1em; margin-right: 1em; margin-top: 0px;"></div><a href="http://news-sv.aij.or.jp/algode/index.html">ALGODE 2011</a><br />
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><a href="http://news-sv.aij.or.jp/algode/index.html"></a><a href="http://news-sv.aij.or.jp/algode/organization/index.html">Organization</a> :: <a href="http://news-sv.aij.or.jp/algode/invitedspeakers/index.html">Invited Speakers</a> :: <a href="http://news-sv.aij.or.jp/algode/program/index.html">Program</a> :: <a href="http://www.katoh.archi.kyoto-u.ac.jp/algode/registration/index.php">Registration</a></div><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">March 14-18, 2011. Tokio, Japan.<br />
March 12: Symposium Postponed. We have been getting many reports and inquiries about the earthquake and travel information in and out of Japan. ALGODE Organizing committee has been monitoring the situation carefully and has now decided to postpone ALGODE 2011.</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvb4vywqXrKoqzfkNFVxAtg2IrvyY08Ghs3AMwFUHA4tD5kYiW52lumjxJzm-jXc7kaGxXfNEsG4KGrQz9RS55r1HIUApiVfVQ3Sd2QNIXQK3MoMektGuJE68xf47-kGK9KQJpoSHKpdvX/s1600/ALGODE+2011.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="190" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvb4vywqXrKoqzfkNFVxAtg2IrvyY08Ghs3AMwFUHA4tD5kYiW52lumjxJzm-jXc7kaGxXfNEsG4KGrQz9RS55r1HIUApiVfVQ3Sd2QNIXQK3MoMektGuJE68xf47-kGK9KQJpoSHKpdvX/s400/ALGODE+2011.jpg" width="400" /></a><a href="http://news-sv.aij.or.jp/algode/program/images/main_program.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://news-sv.aij.or.jp/algode/program/images/main_program.png" width="273" /></a></div>Pablo C. Herrerahttp://www.blogger.com/profile/04232968762236315359noreply@blogger.com0tag:blogger.com,1999:blog-8327383274267119437.post-52305040198072810592011-03-05T11:51:00.000-08:002011-03-05T11:52:13.357-08:00Scripting Cultures: Architectural Design and Programming (2011)<div style="text-align: justify;">By <a href="http://www.sial.rmit.edu.au/People/mburry.php">Mark Burry</a></div><div style="text-align: justify;"></div><div style="text-align: justify;">Paperback: 272 pages</div><div style="text-align: justify;">Publisher: <a href="http://www.wiley.com/WileyCDA/WileyTitle/productCd-0470746424.html">John Wiley & Sons</a> (20 May 2011)</div><div style="text-align: justify;">Language English</div><div style="text-align: justify;">ISBN-10: 0470746416</div><div style="text-align: justify;">ISBN-13: 978-0470746417</div><br />
<div style="text-align: justify;">While many designers are now aware of scripting's potential, it is still seen as a difficult arena to enter. Scripting Cultures treats scripting not only as a technical challenge that requires clear description, guidance, and training, but also, and more crucially, it answers why the designer would script in the first place and what the cultural and theoretical implications are. The book also refers readers to a website where they are able to download all the code, explanations, and tutorials to assist with the worked examples.</div>Pablo C. Herrerahttp://www.blogger.com/profile/04232968762236315359noreply@blogger.com0tag:blogger.com,1999:blog-8327383274267119437.post-76304204834444649022011-02-01T12:15:00.000-08:002011-02-01T12:56:47.576-08:00Who is using Rhinoscripting / Grasshopper?<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPOoGb0IQqErSnyArwT38LoETCjcgE3ThrhIYSNq0FygSDmTPHTCU-Gh_8Wv1-xvDjlVw4GN8E79L4jnjL9Z3P-NfrDyaIU1AZJpIINOFdYrAiMKtYdWLM1_8p9cp-iq8ha1LBrfkZaABt/s1600/01022011+1500hrs.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPOoGb0IQqErSnyArwT38LoETCjcgE3ThrhIYSNq0FygSDmTPHTCU-Gh_8Wv1-xvDjlVw4GN8E79L4jnjL9Z3P-NfrDyaIU1AZJpIINOFdYrAiMKtYdWLM1_8p9cp-iq8ha1LBrfkZaABt/s400/01022011+1500hrs.jpg" width="398" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="http://rhinoscriptingresources.blogspot.com/">Rhinoscripting Resources</a> / <a href="http://grasshopperresources.blogspot.com/">Grasshopper Resources</a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: left;"></div><div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: arial;">Between 2008 and 2010 we registered in the RS blog a total of 102.500 visits from different regions of the world. The preferences results were variable and they can be grouped in three categories:</span></div><div><ul><li><span class="Apple-style-span" style="font-family: arial;">those with ascending preferences (US, Canada, Central America and Asia)</span></li>
<li><span class="Apple-style-span" style="font-family: arial;">those with descending preferences (Europe and South America)</span></li>
<li><span class="Apple-style-span" style="font-family: arial;">those with stable references (Australia)</span></li>
</ul></div></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEju-qFYg_qTsdBnrMn17WRVFUmtBToNsIq4-BLsEnMcoEU76cxOYPJjCapey0zeC93_NurM5_sPkroruaD0QYfpoz81SynH46nH0Xj7MSRIjpUr6kz3syahXS7aZytjdK-kTOCkVn8KsYv-/s1600/646+HERRERA+Figura+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="192" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEju-qFYg_qTsdBnrMn17WRVFUmtBToNsIq4-BLsEnMcoEU76cxOYPJjCapey0zeC93_NurM5_sPkroruaD0QYfpoz81SynH46nH0Xj7MSRIjpUr6kz3syahXS7aZytjdK-kTOCkVn8KsYv-/s320/646+HERRERA+Figura+2.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;">Rhinoscripting Resources users by year (2008-2010)</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsj6HSXokTTiNfHPh9hOHCc-h9AHg_slj6B3478vOAUjXzdNMWIroRwb7thpWqGObPW6gT2JhS9sYsKd1GIp5w493cmNTHrrdO6e0jI9UkgrHJucAeYApT0V-e1Fawc5QcduoJLjOCuM6F/s1600/646+HERRERA+Figura+3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="192" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsj6HSXokTTiNfHPh9hOHCc-h9AHg_slj6B3478vOAUjXzdNMWIroRwb7thpWqGObPW6gT2JhS9sYsKd1GIp5w493cmNTHrrdO6e0jI9UkgrHJucAeYApT0V-e1Fawc5QcduoJLjOCuM6F/s320/646+HERRERA+Figura+3.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;">Comparing one year of access between RS and GH (2008-2009)</div><div class="separator" style="clear: both; text-align: center;"><br />
</div>Pablo C. Herrerahttp://www.blogger.com/profile/04232968762236315359noreply@blogger.com0tag:blogger.com,1999:blog-8327383274267119437.post-17170680394711135812010-11-03T11:34:00.000-07:002010-11-03T11:37:50.168-07:00Neil Leach USC (Architecture Biennial Beijing 2010)<iframe frameborder="0" height="225" src="http://player.vimeo.com/video/14423277" width="400"></iframe><br />
<a href="http://vimeo.com/14423277">Neil Leach (USC) at the DigitalCrafting Seminar 3</a> from <a href="http://vimeo.com/cita">CITA</a> on <a href="http://vimeo.com/">Vimeo</a>.<br />
Lecture at the Danish Technological Institute- Copenhagen - 20.08.2010 in the frame of the DigitalCrafting Research Network. digitalcrafting.dkPablo C. Herrerahttp://www.blogger.com/profile/04232968762236315359noreply@blogger.com1tag:blogger.com,1999:blog-8327383274267119437.post-18625553057054618352010-10-12T08:23:00.001-07:002010-10-12T08:26:55.651-07:00Architecture Biennial Beijing 2010<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><img height="201" src="http://www.a-b-b-china.com/upload/20100917095212697catalog.jpg" style="cursor: move;" width="400" /></div><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;">The theme, ’Machinic Processes’, refers not only to new digital fabrication processes, such as CNC milling and 3-D printing, but also to the innovative use of new parametric and algorithmic design techniques. Since 2004 the adoption of these techniques in China has been rapid. The design of buildings such as the Birds Nest stadium would not have been feasible without the use of new parametric modeling techniques and Building Information Modeling software. Meanwhile, although the construction industry in China has relied heavily on manual labor in the past, digital fabrication technologies are beginning to play an increasingly important role in the construction of buildings throughout China, and are set to play an even more significant role in the future. (<a href="http://www.a-b-b-china.com/en/Introduction.aspx">Source</a>)<br />
Curators: <a href="http://neilleach.wordpress.com/">Neil Leach</a> / Xu Weiguo</div><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"><a href="http://www.a-b-b-china.com/en/Architects.aspx?id=10">West Coast</a> (curator: Elena Manferdini)</div><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"></div><ul><li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=10&subId=56">Urbana</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=10&subId=52">Oyler Wu Collaborative</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=10&subId=52">Atelier Manferdini</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=10&subId=54">Morphosis</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=10&subId=55">David Clovers/C.E.B. Reas</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=10&subId=51">Emergent</a></li>
</ul><a href="http://www.a-b-b-china.com/en/Architects.aspx?id=9">UK</a> (curator: Alisa Andrasek)<br />
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"></div><ul><li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=9&subId=50">Biothing</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=9&subId=46">Robofold</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=9&subId=46">Probotics</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=9&subId=48">Freeform</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=9&subId=49">AKT</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=9&subId=45">Space Symmetry</a></li>
</ul><a href="http://www.a-b-b-china.com/en/Architects.aspx?id=8">China</a> (curator: Xu Feng)<br />
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"></div><ul><li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=8&subId=44">XWG Archi-Studio</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=8&subId=40">HHD_FUN</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=8&subId=41">Crystal Design</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=8&subId=39">UFO</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=8&subId=115">XD</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=8&subId=124">TEE-MU</a></li>
</ul><a href="http://www.a-b-b-china.com/en/Architects.aspx?id=7">East Coast</a> (curator: David Ruy)<br />
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"></div><ul><li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=7&subId=38">Ruy Klein</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=7&subId=34">SU11</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=7&subId=35">Rhett Russo</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=7&subId=36">Neri Oxman</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=7&subId=36">Gage Clemenceau Architects</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=7&subId=33">Terreform One</a></li>
</ul><a href="http://www.a-b-b-china.com/en/Architects.aspx?id=6">Australia</a> (curator: Roland Snooks)<br />
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"></div><ul><li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=6&subId=32">Kokkugia</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=6&subId=28">Supermanoeuvre</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=6&subId=29">MNA</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=6&subId=30">LAVA</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=6&subId=31">BKK</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=6&subId=27">UFO</a></li>
</ul><a href="http://www.a-b-b-china.com/en/Architects.aspx?id=5">Europe</a> (curator: Marta Malé-Alemany)<br />
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"></div><ul><li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=5&subId=26">Wertel Oberfell</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=5&subId=22">Automake</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=5&subId=23">Sjors Bergmans</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=5&subId=24">FOC</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=5&subId=25">Studio Geenen</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=5&subId=21">D-Shape</a></li>
</ul><a href="http://www.a-b-b-china.com/en/Architects.aspx?id=4">Asia</a> (curator: Lisa Iwamoto)<br />
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"></div><ul><li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=4&subId=20">Iwamotto Scott</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=4&subId=16">Noiz Architects</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=4&subId=17">Mass Studies</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=4&subId=18">ISSHO</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=4&subId=19">Architectidd</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=4&subId=15">Arkihisa Hirata</a></li>
</ul><a href="http://www.a-b-b-china.com/en/Architects.aspx?id=3">Latin America</a> (curator: Matias del Campo)<br />
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"></div><ul><li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=3&subId=14">SPAN</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=3&subId=10">PATTERNS</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=3&subId=11">FPMod</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=3&subId=12">Emmanuel Ruffo</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=3&subId=13">Xefirotarch</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=3&subId=9">Pablo C. Herrera</a></li>
</ul><a href="http://www.a-b-b-china.com/en/Architects.aspx?id=2">International</a> (curator: Francois Roche)<br />
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"></div><ul><li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=2&subId=8">R&Sei(n)</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=2&subId=2">S.T.(R)ampancy</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=2&subId=3">der_MecaW</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=2&subId=4">(SHE)Bamboo</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=2&subId=5">(DE)PollutedC</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=2&subId=6">(t)Hash_Tray</a></li>
<li><a href="http://www.a-b-b-china.com/en/ArchitectsInfo.aspx?id=2&subId=7">underSE(a)CRE(a)TION</a></li>
</ul><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;">Machinic Processes</div><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;">Architecture Biennial Beijing 2010</div><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;"><br />
</div><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;">Exhibition: Oct. 15 - Oct. 20, 2010</div><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;">Opening Ceremony: 19:00, Oct. 15, 2010</div><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;">Location: 798 Space, Beijing</div><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;">Conference: Oct. 16 , 2010, Beijing DongHuangKaili Hotel(NO.16 Guangshun Nan Avenue, Chaoyang District, Beijing)</div><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: justify;">Curators: Neil Leach / Xu Weiguo</div>Pablo C. Herrerahttp://www.blogger.com/profile/04232968762236315359noreply@blogger.com0tag:blogger.com,1999:blog-8327383274267119437.post-84551410226337705192010-06-18T05:51:00.000-07:002010-06-18T05:58:36.266-07:00Master's Degree in Biodigital Architecture 2010-2011<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD5i58XdqbMYUihEiVFHJgXffp9J2OKTYb162XIja7CeiwQhb7g5lrZzF1KzWgwll4Xdv5tixsYRzWCNJ_2b6J5tgi6Yz1fDOob-JhXeo1iRR7lXoTLG1OD1t9GEOPDyKk2_0BmprJ00Ol/s1600/poster+master+oficial+2011_P%C3%A1gina_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD5i58XdqbMYUihEiVFHJgXffp9J2OKTYb162XIja7CeiwQhb7g5lrZzF1KzWgwll4Xdv5tixsYRzWCNJ_2b6J5tgi6Yz1fDOob-JhXeo1iRR7lXoTLG1OD1t9GEOPDyKk2_0BmprJ00Ol/s320/poster+master+oficial+2011_P%C3%A1gina_1.jpg" /></a></div><span class="Apple-style-span" style="font-size: x-small;"><a href="http://www.uic.es/progs/obj.uic?id=4bfe69fd7307e">Imagen</a></span><br />
<div style="text-align: justify;"></div><div style="text-align: justify;">Directores: <a href="http://www.albertoestevez.com/">Alberto T. Estévez</a> y <a href="http://www.metaxy.com/">Karl S. Chu</a>.</div><div style="text-align: justify;"></div><div style="text-align: justify;"><span class="Apple-style-span" style="color: red;"><b>Fecha límite de preinscripción: 31 de octubre de 2010.</b></span></div><div style="text-align: justify;">El Máster Universitario en Arquitectura Biodigital de la <a href="http://www.uic.es/es/home">UIC</a> se creó el año 2000 como un programa de postgrado pionero, el primero en tratar sobre la arquitectura entendida desde puntos de vista biológicos y digitales, el primero en hacer converger de manera sistemática a los fundadores del organicismo digital, la nueva vanguardia del siglo XXI.</div><div style="text-align: justify;">Así, estando dentro del contexto de la Línea de Investigación “Arquitecturas Genéticas” de la <a href="http://www.uic.es/en/school-architecture">ESARQ</a> (Escuela Superior de Arquitectura), se pone especial atención al nuevo proyectar cibernético-digital y ecológico-medioambiental, para desarrollar conceptos como genético y generativo, la idea de emergencia dentro del mundo natural y digital, biomímesis, bioaprendizaje, morfogénesis, etc.</div><ul><li><a href="http://www.uic.es/es/master-arquitectura-biodigital?fitxa_basica=4">Datos básicos</a> / <a href="http://www.uic.es/en/master-biodigital-architecture?fitxa_basica=4">Basic information</a></li>
<li><a href="http://www.uic.es/es/master-arquitectura-biodigital?fitxa_basica=5">Plan de estudios</a> / <a href="http://www.uic.es/en/master-biodigital-architecture?fitxa_basica=5">Academic curriculum</a></li>
<li><a href="http://www.uic.es/es/master-arquitectura-biodigital?fitxa_basica=16">Profesorado</a> / <a href="http://www.uic.es/en/master-biodigital-architecture?fitxa_basica=16">Teaching staff</a></li>
<li><a href="http://www.uic.es/es/master-arquitectura-biodigital?fitxa_basica=7">Admisiones</a> / <a href="http://www.uic.es/en/master-biodigital-architecture?fitxa_basica=7">Admissions</a></li>
<li><a href="http://www.uic.es/es/doctorado-uic">Doctorado</a> / <a href="http://www.uic.es/en/phd-uic">PhD</a></li>
<li><a href="http://www.uic.es/es/master-arquitectura-biodigital?fitxa_basica=8">Precio</a> / <a href="http://www.uic.es/en/master-biodigital-architecture?fitxa_basica=8">Price</a></li>
<li><a href="http://www.uic.es/es/master-arquitectura-biodigital?fitxa_basica=49">Becas y ayudas</a> / <a href="http://www.uic.es/en/master-biodigital-architecture?fitxa_basica=49">Grants & financial aids</a></li>
<li><a href="http://www.uic.es/es/uic-vivienda">Alojamiento y vivienda</a> / <a href="http://www.uic.es/en/uic-housing">Housing</a></li>
<li><a href="http://www.uic.es/es/master-arquitectura-biodigital?fitxa_basica=48">Datos de contacto</a> / <a href="http://www.uic.es/en/master-biodigital-architecture?fitxa_basica=48">Contact details</a><span id="goog_1594029566"></span><span id="goog_1594029567"></span><a href="http://www.blogger.com/"></a></li>
</ul><div style="text-align: justify;">Los resultados del Master Universitario han sido publicado en Arquitecturas Genéticas I (<a href="http://www.amazon.com/Genetic-Architectures-Arquitecturas-gen%C3%A9ticas-Spanish/dp/0930829514/ref=sr_1_1?ie=UTF8&s=books&qid=1276865218&sr=8-1">2004</a>), II (<a href="http://www.amazon.com/Genetic-Architectures-II-Digital-Organic/dp/093082959X/ref=pd_sim_b_2">2006</a>) y III (<a href="http://www.amazon.com/Genetic-Architectures-III-Arquitecturas-Geneticas/dp/0930829689/ref=sr_1_2?ie=UTF8&s=books&qid=1276865218&sr=8-2">2010</a>)</div>More information: <a href="http://www.uic.es/ca/master-arquitectura-biodigital?set=S">Catalá</a> / <a href="http://www.uic.es/es/master-arquitectura-biodigital">Español</a> / <a href="http://www.uic.es/en/master-biodigital-architecture?set=S">English</a>Pablo C. Herrerahttp://www.blogger.com/profile/04232968762236315359noreply@blogger.com0tag:blogger.com,1999:blog-8327383274267119437.post-72590576964342841992010-06-16T14:26:00.000-07:002010-06-16T14:38:23.040-07:00SPECULATIS workshop application deadline JUNE 25th<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxGcl1Tj_p9BgGzLnjV8r9rtK9txurSd_qgnbrNL5N4LNfFHzt9LoFWnH1zM8I2V86wFICOks8nYZX_eW99wSJG2HbaqrRT6CjXlciP7Yoy8AGbs9UvCWImec_bTLRU-s2Te9mKKdYd-ox/s1600/speculatis_poster_ns_sm_email.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxGcl1Tj_p9BgGzLnjV8r9rtK9txurSd_qgnbrNL5N4LNfFHzt9LoFWnH1zM8I2V86wFICOks8nYZX_eW99wSJG2HbaqrRT6CjXlciP7Yoy8AGbs9UvCWImec_bTLRU-s2Te9mKKdYd-ox/s320/speculatis_poster_ns_sm_email.jpg" /></a></div><br />
<div style="text-align: justify;">The deadline for applications for the <a href="http://speculatis.com/">SPECULATIS</a> workshop has been extended to JUNE 25th, 2010!! To apply, contact: <a href="mailto:education@opolab.com">education@opolab.com</a></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">SPECULATIS is a workshop that introduces and explores techniques of algorithmic design and fabrication integrated with interactive components. The platform integrates seminars and construction of a design piece at natural scale - a working chandelier - as a means of investigating different techniques and potentials present in the intersection of morphological discovery through algorithmic processes, fabrication technologies, and interactivity modulation. </div><div style="text-align: justify;">The workshop will be held July 10-17th in Oporto, Portugal. Please find attached our advertising poster and press release. We thank you in advance for helping divulge this initiative. </div><div style="text-align: justify;"><br />
</div>For general information, questions: <a href="mailto:info@speculatis.com">info@speculatis.com</a><br />
For applications/registration: <a href="mailto:education@opolab.com">education@opolab.com</a><br />
<br />
Thank you!<br />
Best regards,<br />
<br />
Ezio Blasetti, ahylo :: Carla Leitao, aumstudio :: with OPO'LabPablo C. Herrerahttp://www.blogger.com/profile/04232968762236315359noreply@blogger.com0tag:blogger.com,1999:blog-8327383274267119437.post-81093407996190280312010-06-14T08:43:00.000-07:002010-06-15T08:44:22.701-07:00TheVeryMany Practice/Lab/Factory<img height="300" src="http://www.theverymany.net/uploaded_images/090902_Branches_noNodes_011_PShop_TVM_s-743148.jpg" width="400" /><br />
<span class="Apple-style-span" style="font-size: x-small;">Image: </span><a href="http://www.theverymany.net/uploaded_images/090902_Branches_noNodes_011_PShop_TVM_s-743061.jpg"><span class="Apple-style-span" style="font-size: x-small;">Marc Fornes</span></a><br />
<div style="text-align: justify;">"I have now been posting personal work about computational morphologies on www.theverymany.net since 2005 – it is now finally time to work on a new skin for THEVERYMANY™ and also update many yet non published projects."</div>THEVERYMANY WILL NOW RELOCATED AT: <a href="http://www.theverymany.com/">www.theverymany.com</a><br />
<div style="text-align: justify;">"Note: that new website is still a <span id="goog_85692434"></span>Work In Progress<span id="goog_85692435"></span> - pages are susceptible of changes – therefore links also - so for the time being please only direct to www.theverymany.net / www.theverymany.com"</div>best,<br />
Marc Fornes<br />
<a href="http://tvmny.blogspot.com/">Source</a>Pablo C. Herrerahttp://www.blogger.com/profile/04232968762236315359noreply@blogger.com0tag:blogger.com,1999:blog-8327383274267119437.post-78759830732163251442010-06-11T11:00:00.000-07:002010-06-12T22:43:55.069-07:00Bill Mitchell, former dean of MIT's School of Architecture and Planning, dies at age 65from <a href="http://web.mit.edu/newsoffice/2010/obit-mitchell">MIT News</a> by Scott Campbell and Ellen Hoffmane<br />
<img height="400" src="http://web.mit.edu/newsoffice//images/article_images/20100611154233-1.jpg" width="400" /><br />
<span class="Apple-style-span" style="font-size: x-small;">Photo Credit: Webb Chappell, 1997</span><br />
<div style="text-align: justify;">Born in 1944 and raised in rural Australia, Mitchell received a Bachelor of Architecture from the University of Melbourne, a Master of Environmental Design from Yale and a Master of Arts from Cambridge. He was a Fellow of both the Royal Australian Institute of Architects and the American Academy of Arts and Sciences, and a recipient of six honorary doctorates. In 1997 he was awarded the annual Appreciation Prize of the Architectural Institute of Japan; he also chaired the National Academies Committee on Information Technology and Creativity. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Before coming to MIT, Mitchell was the G. Ware and Edythe M. Travelstead Professor of Architecture and director of the Master in Design Studies Program at the Harvard Graduate School of Design. He also served as head of the Architecture/Urban Design Program at UCLA's Graduate School of Architecture and Urban Planning and taught at Yale, Carnegie-Mellon and Cambridge Universities. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Mitchell was a prolific author. In his most recent book, <a href="http://mitpress.mit.edu/catalog/item/default.asp?ttype=2&tid=12044">Reinventing the Automobile</a>, co-authored with Christopher Borroni-Bird and Lawrence Burns (MIT Press, 2010), Mitchell reimagines the automobile for the 21st century, proposing that today's cars follow the same basic design principles as the Model T: they are well suited for conveying multiple passengers over long distances at high speeds, but inefficient for providing personal mobility within cities, where most of the world's people now live. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Other publications include <a href="http://mitpress.mit.edu/catalog/item/default.asp?ttype=2&tid=11543">World's Greatest Architect: Making, Meaning and Network Culture</a> (2008); <a href="http://mitpress.mit.edu/catalog/item/default.asp?ttype=2&tid=11120">Imagining: Designing a Campus for the Twenty-First Century</a> MIT (2007); <a href="http://mitpress.mit.edu/catalog/item/default.asp?ttype=2&tid=10599">Placing Words: Symbols, Space, and the City</a> (2005), <a href="http://books.google.com/books?id=wcBo7pq3X1AC&pg=PP1&dq=inauthor:%22William+J.+Mitchell%22&hl=es&cd=1#v=onepage&q&f=false">Me++: The Cyborg Self and the Networked City</a> (2003); <a href="http://books.google.com/books?id=E2On0MJBItYC&printsec=frontcover&dq=etopia&hl=es&cd=2#v=onepage&q&f=false">e-topia: Urban Life, Jim-But Not As We Know It</a> (1999); <a href="http://mitpress.mit.edu/catalog/item/default.asp?ttype=2&tid=6450">High Technology and Low-Income Communities</a>, with Donald A. Schön and Bish Sanyal (1999); <span id="goog_1368027068"></span><a href="http://books.google.com/books?id=MxOgb9RWpKAC&pg=PP1&dq=inauthor:%22William+J.+Mitchell%22&hl=es&cd=4#v=onepage&q&f=false">City of Bits: Space, Place, and the Infobahn</a><span id="goog_1368027069"></span> (1995); <a href="http://books.google.com/books?id=JrZoGgQEhKkC&pg=PP1&dq=inauthor:%22William+J.+Mitchell%22&hl=es&cd=5#v=onepage&q&f=false">Digital Design Media</a> (1991, 1995); <a href="http://books.google.com/books?id=2vtuJpdx5_gC&printsec=frontcover&dq=The+Reconfigured+Eye:&lr=&hl=es&cd=1#v=onepage&q&f=false">The Reconfigured Eye: Visual Truth in the Post-Photographic Era</a> (1992); <a href="http://mitpress.mit.edu/catalog/author/default.asp?aid=292">The Logic of Architecture: Design, Computation, and Cognition</a> (1990); co author at <a href="http://books.google.com/books?id=ZEf8tP-zSFoC&printsec=frontcover&dq=inauthor:%22William+John+Mitchell%22&lr=&hl=es&cd=2#v=onepage&q&f=false">The Electronic Design Studio</a> (1990); con author with J., Robin S. Liggett, and Thomas Kvan, <a href="http://www.amazon.com/Art-Computer-Graphics-Programming-Introduction/dp/0442259913">The Art of Computer Graphics Programming: A Structured Introduction for Architects and Designers</a> (1987) and Computer-Aided Architectural Design (1977). [complete list: <a href="http://web.media.mit.edu/~wjm/wjmbooks.html">books</a>/<a href="http://web.media.mit.edu/~wjm/wjmbib.html">bibliography</a>]. He also served as chair of the Editorial Board at the MIT Press since 1994 and had been a member of the publisher's Management Board since 2000. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">"Bill Mitchell was a very important thinker, truly a pioneer of the future," said <a href="http://sap.mit.edu/people/deans_office/adele_naude_santos/">Adèle Naudé Santos</a>, current dean of the <a href="http://sap.mit.edu/">School of Architecture and Planning</a>. "He played an extremely important role in research at the Media Lab, and because he was such a prolific writer, the significant advances he made will be with us for all time. Our community will be much diminished by his passing." </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">"Bill's highly unorthodox approach to re-thinking and re-framing daunting societal problems was the essence of his brilliance," said <a href="http://www.media.mit.edu/people/fmoss">Frank Moss</a>, director of the <a href="http://www.media.mit.edu/">Media Lab</a>. "It has significantly impacted my thinking about how one changes the world for the better." </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Mitchell is survived by his wife, Jane Wolfson; a daughter, Emily and son-in-law, Seth Rooder of Brooklyn Heights, NY; a son, Billy of Cambridge; his mother, Joyce of Berwick, Australia; a sister, Mary Close and brother-in-law John Close of Kallista, Australia; his previous wife, Elizabeth Asmis of Chicago; and a loving extended family. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Donations in his memory may be made to the Learning Prep School at 1507 Washington St., West Newton, MA 02465, where a technology fund will be established in his memory. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">A memorial service will be held at MIT at the new Media Lab Complex, 75 Amherst Street, Cambridge, MA, on Wednesday, June 16 at 10 a.m. Private burial services will follow at Mt. Auburn Cemetery. </div>Pablo C. Herrerahttp://www.blogger.com/profile/04232968762236315359noreply@blogger.com0tag:blogger.com,1999:blog-8327383274267119437.post-55235986425557790942010-06-10T08:47:00.000-07:002010-06-10T08:55:31.454-07:00Apomechanes 2010 (Jul 19th - Aug 06th)<div><embed align="middle" allowfullscreen="true" flashvars="mode=embed&layout=http%3A%2F%2Fskin.issuu.com%2Fv%2Flight%2Flayout.xml&showFlipBtn=true&documentId=100610153518-79248ebdcbc942aba9118fdec482aacd&docName=apomechanes2009&username=pabloherrera&loadingInfoText=Amo%20Mechanes%202009&et=1276184414143&er=20" menu="false" name="flashticker" quality="high" salign="l" scale="noscale" src="http://static.issuu.com/webembed/viewers/style1/v1/IssuuViewer.swf" style="height: 297px; width: 420px;" type="application/x-shockwave-flash"></embed><br />
<div style="text-align: left; width: 420px;"><a href="http://issuu.com/pabloherrera/docs/apomechanes2009?mode=embed&layout=http%3A%2F%2Fskin.issuu.com%2Fv%2Flight%2Flayout.xml&showFlipBtn=true" target="_blank">Open publication</a> - Free <a href="http://issuu.com/" target="_blank">publishing</a> - <a href="http://issuu.com/search?q=workshop" target="_blank">More workshop</a></div></div><div style="text-align: justify;"><a href="http://www.apomechanes.com/">Apomechanes</a> is an intensive 3 week computational design studio held each summer in Athens, Greece. The studio is devoted to furthering techniques and concepts of algorithmic processes as means for design and fabrication. apomechanes brings together individuals from diverse backgrounds and fields of study to discuss, exchange and collaborate on projects that investigate modes of algorithmic and machinic processes in architectural design. At present computational techniques are predominantly employed in the optimization, rationalization or surface decoration of more traditionally created wholes. This research instead focuses on the inherent potential of computation to generate space and of algorithmic procedures to engage self-organization in the design process. During the workshop, participants create their own custom algorithms leading to the fabrication of working full-scale prototypes appropriate to their research trajectories. Participants engage closely with computational processes in order to develop an aesthetic and intuition of complexity that resides in a balance between design intent and emergent character.<br />
Instructors<br />
<ul><li><a href="http://www.ezioblasetti.net/">Ezio Blasetti</a></li>
<li><a href="http://www.supermanoeuvre.com/">Dave Pigram</a></li>
<li><a href="http://www.kokkugia.com/">Roland Snooks</a></li>
</ul><div>Coordinators: Pavlos Xanthopoulos :: Ioulietta Zindrou :: Elisavet Antapassi</div></div><div style="text-align: justify;">The studio is organized in 2 parts; the first part is the seminar and it includes a series of lectures on algorithmic design concepts, methodologies and techniques, while the second focuses on project development and fabrication. Apo Mechanes staff will review all applications and succesful applicants will be notified by June 15th. Upon receipt of the letter of acceptance participants will need to pay a 100/150/200 Euro (seminar/workshop/studio) deposit by June 31st to confirm their position.</div><div style="text-align: justify;"><a href="http://www.apomechanes.com/applicationform.pdf">Application Extended Deadline</a> (Sunday 20th June)</div><div style="text-align: justify;">Algorithmic Design Seminar (Monday 19th July - Monday 26th July)</div><div style="text-align: justify;">Algorithmic Design Workshop (Wednesday 28th July - Friday 6th August)</div><div style="text-align: justify;">Algorithmic Design Studio (Monday 19th July - Friday 6th August)</div>Pablo C. Herrerahttp://www.blogger.com/profile/04232968762236315359noreply@blogger.com0tag:blogger.com,1999:blog-8327383274267119437.post-27308506674412637472010-05-26T12:16:00.000-07:002010-05-26T12:20:13.776-07:00Seminario Sobre Métodos Generativos en Arquitectura y Diseño<img alt="algomad.org" height="116" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSrkkLy2NuRQrV86_oT31S4gUeqG3ByYrXn0eMr9Rl2uwlBh-ONrZC1l_2DaLtZ9a9dMaPRi22yTBqYJKFPCCTdd3uOoS-ptZeIVLs5Q60HNVyJVeu-JqogjV61xTGg5jaB_YgS0DI9iQy/s900-r/Cabecera01.jpg" width="400" /><br />
<div style="text-align: justify;"><a href="http://www.algomad.org/">ALGOMAD</a> se celebrará los días 1, 2 y 3 de Julio en Barcelona. Consistirá en 4 talleres en paralelo sobre herramientas digitales - <a href="http://www.grasshopper3d.com/">Grasshopper</a>, <a href="http://www.bentley.com/en-US/Products/GenerativeComponents/">GenerativeComponents</a>, <a href="http://wiki.mcneel.com/developer/rhinoscript">RhinoScript</a> y <a href="http://processing.org/">Processing</a>. La mañana del sábado 3 tendrá lugar la conferencia, punto de encuentro de profesionales, estudiantes y académicos interesados en las técnicas digitales como "algo más que un instrumento".</div><div style="text-align: justify;"></div><div style="text-align: justify;"><br />
Día 1. 01/07/2010</div><div style="text-align: justify;">09.00 - Inscripción y Registro de Participantes</div><div style="text-align: justify;">09.30 - Talleres Grasshopper y Generative Components</div><div style="text-align: justify;">13.30 - Comida (por cuenta de los asistentes)</div><div style="text-align: justify;">14.30 - Talleres RhinoScript y Processing</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Día 2. 02/07/2010</div><div style="text-align: justify;">09.30 - Talleres Grasshopper y Generative Components</div><div style="text-align: justify;">13.30 - Comida (por cuenta de los asistentes)</div><div style="text-align: justify;">14.30 - Talleres RhinoScript y Processing</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Día 3. 03/07/2010</div><div style="text-align: justify;">09.00 - Inscripción y Registro en la Conferencia</div><div style="text-align: justify;">09.30 - Algomad.org - Bienvenida del Comité.</div><div style="text-align: justify;">10.00 - Ronda de Presentaciones (I)</div><div style="text-align: justify;">11.00 - Café</div><div style="text-align: justify;">11.45 - Informe de los Talleres.</div><div style="text-align: justify;">12.30 - Ronda de Presentaciones (II)</div><div style="text-align: justify;">13.15 - Ronda de Presentaciones (III)</div><div style="text-align: justify;">14.00 - Despedida y Clausura.</div><a href="http://www.algomad.org/">Mas Información</a>Pablo C. Herrerahttp://www.blogger.com/profile/04232968762236315359noreply@blogger.com0tag:blogger.com,1999:blog-8327383274267119437.post-85207021864921262292010-02-09T11:02:00.000-08:002010-02-09T11:02:34.191-08:00Santiago Ortiz: Complejidad-Interacción, (Lima)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiC14UHIGA2Z6CHArNTSw2dz1vVOdfrcmJUFofS1_0iL9G7lYrecqUlAwhNonUR7WCqmsqXxrjsIueHwpSIfLvvu63C7S1KWCz4fh-THKFSyxZRZ5qBs1oas1seJYBTXri3uMXQf60CyiuN/s1600-h/VoronoiCity.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiC14UHIGA2Z6CHArNTSw2dz1vVOdfrcmJUFofS1_0iL9G7lYrecqUlAwhNonUR7WCqmsqXxrjsIueHwpSIfLvvu63C7S1KWCz4fh-THKFSyxZRZ5qBs1oas1seJYBTXri3uMXQf60CyiuN/s320/VoronoiCity.jpg" /></a></div><br />
<a href="http://www.ccelima.org/2009/">Centro Cultural de España</a> (Lima) Jueves 18 de febrero (19:30 hrs.)<br />
<div style="text-align: justify;">Crear con complejidad significa poner del lado de la creación el azar, la emergencia, lo determinable o no, pero impredecible. Significa también usar herramientas normales en el contexto de la ciencia, como la simulación, para crear. La complejidad no es una ciencia sino un puente entre diferentes ciencias, un lenguaje compartido y una mirada particular, en la que la interacción es la generadora de realidad (es decir: patrones, estructuras, significado). Desde estos supuestos es fácil ver cómo la complejidad traspasa la ciencia y toca el arte. Más aun: establece canales para viajar entre uno y otro, para no saber si se está en uno o en otro, para no poder ya discernir la frontera entre los dos. </div><div style="text-align: justify;">En la conferencia, Santiago Ortiz introducirá varios conceptos de la complejidad (sistemas dinámicos, fractales, órbitas, atractores, puntos fijos, autómatas celulares, iteración, redes...) a través de múltiples ejemplos distribuidos entre la ciencia y el arte.</div><div style="text-align: justify;"><a href="http://www.bestiario.org/">Santiago Ortiz</a>, Matemático, investigador y creador de interfaces digitales de conocimiento. Santiago Ortiz explora las posibilidades de creación y narración colectiva en Internet. Es socio fundador de <a href="http://www.bestiario.org/">Bestiario</a>, donde dirige un equipo de investigación -de metodología transdisciplinar- sobre redes sociales, información compleja e interactividad y visualización de datos.</div>Colabora: ATA / Escuelab.orgPablo C. Herrerahttp://www.blogger.com/profile/04232968762236315359noreply@blogger.com0tag:blogger.com,1999:blog-8327383274267119437.post-62158442264654988882010-02-08T07:07:00.000-08:002010-02-08T08:07:41.677-08:00Santiago Ortiz: taller de visualización de datos (Lima, Perú)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtxgF9BZx7HpsVByfbWXGnf3Z6j-VvtFsM9dtJVOkCsGVB396mcnvEWT8lVxL6dSc4tufnbdQVJhrgckTta1l6hsSkJcPzDo0-xVCeqjFgtioXcl9BLzIhX1GrBV2KZwDL8hBLrOdxwLPV/s1600-h/santiago.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtxgF9BZx7HpsVByfbWXGnf3Z6j-VvtFsM9dtJVOkCsGVB396mcnvEWT8lVxL6dSc4tufnbdQVJhrgckTta1l6hsSkJcPzDo0-xVCeqjFgtioXcl9BLzIhX1GrBV2KZwDL8hBLrOdxwLPV/s320/santiago.png" /></a></div><br />
<a href="http://escuelab.org/contenido/taller-santiago-ortiz">Escuelab</a><br />
Teoría (obligatorio): Martes 16, al Viernes 19 - Febrero 2010 (10:00 a 14:00 hrs.)<br />
Horario de Práctica (opcional / flexible): 14:00 pm y 20:00 pm<br />
@ Escuelab (Belén 1044, Piso 5 - Centro de Lima)<br />
Gratuito / Cupos limitados / Con inscripción!!!<br />
<a href="http://escuelab.org/contenido/taller-de-visaulizaci%C3%B3n-de-datos-cargo-de-santiago-ortiz">Inscripciones Aqui!!</a><br />
El taller está dirigido a estudiantes y profesionales de la informática, las ciencias naturales, sociales, arquitectura y artes multimediales, etc, interesados en la creación de interfases para la visualización de datos.<br />
Ejemplos de los trabajos realizados por Santiago Ortiz, pueden ser revisados aquí: <a href="http://moebio.com/santiago/">http://moebio.com/santiago/</a><br />
<br />
<div style="text-align: justify;">Sobre la dinámica del taller</div><div style="text-align: justify;">Con un número limitado de participantes (máximo 16) se desarrollará en forma grupal, entre 4 y 6 aplicaciones informáticas funcionales que permitan la visualización de conjuntos complejos de datos. Los datos a visualizar pueden ser estadísticas de todo tipo (demografía, lenguaje, opinión pública, recursos, acceso, transporte, etc...) y pueden referirse ya sea al ámbito local o global. Sin embargo es importante que los conjuntos de datos propuestos se encuentren desde un inicio en un estado de pureza y disponibilidad que permita el desarrollo oportuno de los ejercicios/programas durante el taller (no se recomienda venir al taller a empezar a pensar en los datos a graficar, sino directamente llegar con tablas/colecciones de datos, histogramas, etc...) </div><div style="text-align: justify;">Los prototipos, se implementarán utilizando Action Script, Processing u otros lenguajes de programación que permitan manejo de gráficos a través de código. Por ello daremos inicialmente énfasis a elegir personas que manejen programación hasta completar aproximadamente el 50% de las plazas.</div><div style="text-align: justify;">El otro 50% de participantes, debería tener claramente identificada su elección de datos a visualizar y trabajaría en equipo con las personas que dominen la técnica de programación para visualización.</div>Pablo C. Herrerahttp://www.blogger.com/profile/04232968762236315359noreply@blogger.com1tag:blogger.com,1999:blog-8327383274267119437.post-65044394104653969682010-02-03T11:48:00.000-08:002010-02-04T04:58:24.113-08:00The Codewriting Workbook (2009)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqZoFWBXbLfA7mJ-_GOuTn_-1pHlrnXL7_rCSYa-zROYnvJQTAxbQeujGcjvtqWZLB-KrcOYbgisR-JCPu5_zPIyLGKZlyTSAfzgnjqabHfhon9Jd0oITnMVimAI7u_JUsED2TNZ173Q3x/s1600-h/Code.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqZoFWBXbLfA7mJ-_GOuTn_-1pHlrnXL7_rCSYa-zROYnvJQTAxbQeujGcjvtqWZLB-KrcOYbgisR-JCPu5_zPIyLGKZlyTSAfzgnjqabHfhon9Jd0oITnMVimAI7u_JUsED2TNZ173Q3x/s320/Code.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: left;"></div><div style="text-align: justify;">"(...) More generally, any assemblage of points, lines, surfaces, or volumes could be described by a procedure for generating its coordinates. Such procedures could be "parametrized". This book is for adventures who want to embark on the exciting and rewarding path of meta-design. It introduces the basic principles of computer programming, relates these to the concerns of visual and spatial designers, and provides numerous examples as starting points for further development. It will challenge you to think critically about fundamental design ideas, question your assumptions, and liberate your imagination." -Foreward by William J. Mitchell</div>The Codewriting Workbook: Creating Computational Architecture in AutoLISP by <a href="http://mypages.iit.edu/~krawczyk/">Robert J. Krawczyk</a><br />
Princeton Architectural Press 2009.<br />
Limited Preview in <a href="http://books.google.com/books?id=DSK6xGZUQkwC&lpg=PP1&dq=The%20Codewriting%20Workbook%3A%20Creating%20Computational%20Architecture%20in%20AutoLISP&pg=PP1#v=onepage&q=&f=false">Books.Google</a>. and <a href="http://home.netcom.com/~codewriting/">Autolisp Function Files and Additional Material</a>.Pablo C. Herrerahttp://www.blogger.com/profile/04232968762236315359noreply@blogger.com0tag:blogger.com,1999:blog-8327383274267119437.post-49987810214523431892010-02-03T11:28:00.000-08:002010-02-03T12:38:32.184-08:00On Lisp (1993)<div style="text-align: justify;"><a href="http://www.paulgraham.com/onlisp.html">On Lisp</a> (Prentice Hall, 1993, 432 pages, paperback. ISBN 0130305529) by <a href="http://www.paulgraham.com/">Paul Graham</a> is a comprehensive study of advanced Lisp techniques, with bottom-up programming as the unifying theme. It gives the first complete description of macros and macro applications. The book also covers important subjects related to bottom-up programming, including functional programming, rapid prototyping, interactive development, and embedded languages. The final chapter takes a deeper look at object-oriented programming than previous Lisp books, showing the step-by-step construction of a working model of the Common Lisp Object System (CLOS).</div><div style="text-align: justify;">As well as an indispensable reference, On Lisp is a source of software. Its examples form a library of functions and macros that readers will be able to use in their own Lisp programs. <a href="http://www.paulgraham.com/onlisptext.html">Download On Lisp</a> or view using ISSUU.</div><div style="text-align: justify;"><embed align="middle" allowfullscreen="true" flashvars="mode=embed&layout=http%3A%2F%2Fskin.issuu.com%2Fv%2Flight%2Flayout.xml&showFlipBtn=true&documentId=100202233047-b4e2cdbe1e974704a251a1db4535eba8&docName=on_lisp_by_paul_graham&username=pabloherrera&loadingInfoText=On%20Lisp%20by%20Paul%20Graham&et=1265225282448&er=30" menu="false" name="flashticker" quality="high" salign="l" scale="noscale" src="http://static.issuu.com/webembed/viewers/style1/v1/IssuuViewer.swf" style="height: 272px; width: 420px;" type="application/x-shockwave-flash"></embed></div><div style="text-align: justify;"><br />
</div><div><br />
</div>Pablo C. Herrerahttp://www.blogger.com/profile/04232968762236315359noreply@blogger.com0tag:blogger.com,1999:blog-8327383274267119437.post-4739515573717219362010-02-03T11:24:00.000-08:002010-02-04T05:00:23.452-08:00Algorithmic Aesthetics (1978)Algorithmic Aesthetics:<br />
Computer Models for Criticism and Design in the Arts<br />
by George Stiny and James Gips<br />
Originally published by University of California Press, 1978.<br />
The copyright was returned to the authors when the book went out of print, so Stiny and Gips are putting the book up on the <a href="http://www.algorithmicaesthetics.org/">web for free</a>.<br />
<embed align="middle" allowfullscreen="true" flashvars="mode=embed&layout=http%3A%2F%2Fskin.issuu.com%2Fv%2Flight%2Flayout.xml&showFlipBtn=true&documentId=100203191123-81acd4c170e24ccf910f32ca146b6641&docName=1978_algorithmic_aesthetics&username=pabloherrera&loadingInfoText=Algorithmic%20Aesthetics%20by%20Stiny%20%2B%20Gips&et=1265225017554&er=84" menu="false" name="flashticker" quality="high" salign="l" scale="noscale" src="http://static.issuu.com/webembed/viewers/style1/v1/IssuuViewer.swf" style="height: 304px; width: 420px;" type="application/x-shockwave-flash"></embed>Pablo C. Herrerahttp://www.blogger.com/profile/04232968762236315359noreply@blogger.com0tag:blogger.com,1999:blog-8327383274267119437.post-42573618343247954362009-11-16T12:39:00.000-08:002009-12-08T08:22:22.972-08:00Patterns and conventions using Rhinoscripting language<img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRSH49msM_cKoJ1YznD55MKfoI83U0c9IEjcIssbmoJ3kNGxQUt_d0KDzM9Hu__fIHC0TVOjh9rx1bly0BzqPEornWOpDUceFDhbK8audXDm9biUfb4i1rtR8abogoGu4qIx-8LA_hcvIs/s400/pp54.jpg" style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 282px;" border="0" alt="" id="BLOGGER_PHOTO_ID_5412896079343630882" /><div style="text-align: justify;">Abstract. Two exhibits made evident that complex shapes generated through scripts are the attention focus of both educators and professionals. These projects did not start with traditional representation conventions (front view, plan and cross section) but with biological, geometrical or mathematical references, where patterns are recurrent. Using scripts it is possible to write and represent possibilities; blogs allow the publication of the results. In this context, a blog was created (<a href="http://rhinoscriptingresources.blogspot.com/">2008</a>) to publish methods and subjects extracted from workshops and manuals featuring rhinoscripting. During a year more than 57000 users accessed; the results of this documentation are hereby presented. Full paper (<a href="http://cumincades.scix.net/data/works/att/sigradi2009_1085.content.pdf">only in spanish</a>)</div><div style="text-align: left;"><br /></div><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUtzZSwXdJhH4j4rtgSlH2Rg4AAYIDELK3A0yxcrgNjo-0FRPRy1wh5lMIebir6T805N3UjnCQUld5kjQ1k79FVfNd2wKpwkBEHD4c_Qk8WdnXz7f99rYp8UCE3uDEN-P0wst29pX7cv16/s400/pp56.jpg" style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 282px;" border="0" alt="" id="BLOGGER_PHOTO_ID_5412896541239398898" /><div style="text-align: justify;">Source: <a href="http://www3.mackenzie.br/ocs/index.php/SIGraDi2009/SIGraDi/">SIGraDi 2009</a> - Proceedings of the 13th Congress of the Iberoamerican Society of Digital Graphics, Sao Paulo, Brazil, November 16-18, 2009 (<a href="http://cumincades.scix.net/cgi-bin/works/Show?sigradi2009_1085">cumincad</a>). Including 2 pages from my presentation (<a href="http://www.espaciosdigitales.org/Blog/SaoPaulo16112009Cpp54.pdf">pp.54</a> and <a href="http://www.espaciosdigitales.org/Blog/SaoPaulo16112009Cpp56.pdf">pp.56</a>)</div>Pablo C. Herrerahttp://www.blogger.com/profile/04232968762236315359noreply@blogger.com1tag:blogger.com,1999:blog-8327383274267119437.post-49439655588598077472009-11-02T04:55:00.000-08:002009-11-02T06:06:37.546-08:00Marco Vanucci :: Differential Fields<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyZgbk-s190Vgt2lJ5Bvys7-Lv9-sRDk3_U_0-zYbOtjdQIf_Ig77ERfnBo31iYf39b1WOejyaAGx-1dWYvdb6EQjCgWApSo-qhrOOE9pR10Q5l9OKhr5HWBMXyDq-mEqO-2kiKldZcRZC/s1600-h/MV_2_small.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 259px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyZgbk-s190Vgt2lJ5Bvys7-Lv9-sRDk3_U_0-zYbOtjdQIf_Ig77ERfnBo31iYf39b1WOejyaAGx-1dWYvdb6EQjCgWApSo-qhrOOE9pR10Q5l9OKhr5HWBMXyDq-mEqO-2kiKldZcRZC/s400/MV_2_small.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5399489653540477042" /></a><div style="text-align: justify;"><div style="text-align: justify;">November 9, 2009 from 9am to 11am</div><div style="text-align: justify;">Location: Facoltà di Ingegneria (<a href="http://www.ing.unibo.it/Ingegneria/default.htm">map</a>) Universita di Bologna</div><div style="text-align: justify;">Street: v.le Risorgimento 2. City/Town: Bologna</div><div style="text-align: justify;">Source: Ar-ca3 at Bologna University, studio run by Alessio Erioli</div><div style="text-align: justify;">More information <a href="http://ar-ca3.ning.com/events/tp-lecture-2-marco-vanucci">here</a></div><div style="text-align: justify;">Prof. Alessio Erioli present <i>Theory to Practice</i> Lectures (<a href="http://api.ning.com/files/NLnHiIJMPC7RVwkXI9dHKpiZZR5viib*r*K9o42V8iA_/t2p_poster_all_6.pdf">PDF</a>)</div></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Marco Vanucci is a London-based architect and researcher.</div><div style="text-align: justify;">In 2007 he founded <a href="http://www.opensysdesign.com/">OPENSYSTEMS</a>, an architectural research and design studio that explores the emergent interdisciplinary interaction between architecture, engineering, biology and computation.</div><div style="text-align: justify;">His understanding of architecture as a problem of engineering material organization focuses his research on the development of an integral and coherent design approach at the intersection of architecture, engineering and computation in the endeavor to develop generative and performative systems.</div><div style="text-align: justify;">After his graduation from the Architectural Association in 2004, he was employed by Zaha Hadid where he worked, among other projects, on the new London Aquatic Centre for the Olympics 2012. Marco is currently working at <a href="http://www.akt-uk.com/">AKT</a> where he found the opportunity to develop his interest for non–linear system organization and all that there is in between architecture and engineering.</div><div style="text-align: justify;">Marco has had his work featured in several exhibitions across Europe and North America; he has also participated to numerous conferences and symposia among which <a href="http://cumincad.scix.net/cgi-bin/works/Show?_id=acadia08_354&sort=DEFAULT&search=vanucci&hits=1">Acadia 2008</a> in Minneapolis. He has been invited as guest critic at the Architectural Association and at Columbia University and delivered several design workshops in Europe.</div><div style="text-align: justify;">He currently continues to pursue his personal research, which can be accessed through the blog openSystems.</div>Pablo C. Herrerahttp://www.blogger.com/profile/04232968762236315359noreply@blogger.com1tag:blogger.com,1999:blog-8327383274267119437.post-83281250188846703752009-11-01T21:19:00.000-08:002009-11-01T21:47:50.739-08:00Design Scripting Workshop at Harvard GSD<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRfU_AbN9OR8aO5P7tctUs75rdm4GvKLvFB9uWLKp9tqt7Onc9jyjGnNi6BXjY-itNu2p_6MXjynUtw0F49XjyXUZkhu_9bnwuKO263wHiNOnYlKKI906eHKkK1Mr6gjvbgMJxAYnuQAHZ/s1600-h/untitled.bmp"><img id="BLOGGER_PHOTO_ID_5399372923072397570" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 176px; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRfU_AbN9OR8aO5P7tctUs75rdm4GvKLvFB9uWLKp9tqt7Onc9jyjGnNi6BXjY-itNu2p_6MXjynUtw0F49XjyXUZkhu_9bnwuKO263wHiNOnYlKKI906eHKkK1Mr6gjvbgMJxAYnuQAHZ/s400/untitled.bmp" border="0" /></a>November 2 and 3, 19:45 hrs. to 22:15 hr.<br /><div align="justify">Gund Hall 111 Harvard Graduate School of Design.<br /><br />The Workshop will cover basic programming techniques for the manipulation of 3-D geometry. At the end of the workshop participants will have the tools to confidently use RhinoScript for developing their own plug-ins and exploring design ideas through computation.<br /><br />Conduced by</div><div align="justify"><a href="http://www.gsd.harvard.edu/academic/ddes/people/cv/t_narahara_cv.pdf">Taro Narahara</a>. Doctoral Candidate GSD and guests.<br /><a href="http://www.mit.edu/~kenfield/">Kenfield Griffith,</a> Ph.D. Candidate, Computation Group, MIT<br /><a href="http://mit.edu/dcardoso/www/">Daniel Cardoso</a>, Ph.D. Candidate, Computation Group, MIT</div>Pablo C. Herrerahttp://www.blogger.com/profile/04232968762236315359noreply@blogger.com0tag:blogger.com,1999:blog-8327383274267119437.post-32769264346831451312009-10-30T07:14:00.000-07:002009-10-30T07:19:00.794-07:00GENERATE: International Seminar on Algorithmic Architecture<div>GENERATE: International Seminar on Algorithmic Architecture</div><div>Department of Architecture,<br />University of Oulu, Finland</div><div>30th October 2009 <a href="http://www.generate.fi/">website</a></div><div><br /></div><div style="text-align: justify;">Architects all over the world are fascinated by algorithmic architecture which uses computer scripting to generate design solutions. Scripts are made out of series of written commands which can be programmed to solve complex geometric problems. Scripts can also be used to generate new, unexpected outcomes as they have the ability to evaluate, process and build on the given commands. In architecture scripting can be used in a variety of ways for different purposes ranging from automation of simple tasks to the management of entire design processes.</div><div style="text-align: justify;">Key international speakers include <a href="http://www.ocean-designresearch.net/">Michael Hensel</a>, <a href="http://www.serero.com/">David Serero</a>, <a href="http://www.livearchitecture.net/?page_id=133">Luis Fraguada</a>, <a href="http://karch.academia.edu/MartinTamke">Martin Tamke</a> and <a href="http://www.markuswikar.com/">Markus Wikar</a>.</div>Pablo C. Herrerahttp://www.blogger.com/profile/04232968762236315359noreply@blogger.com0tag:blogger.com,1999:blog-8327383274267119437.post-29499015795711897662009-10-29T06:43:00.000-07:002009-10-30T07:19:33.665-07:00On The Implementation Of Scripting In Architecture<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCAkagNu-feZe76Y2wsu4CpqEDFNsFYE_W9oLcH81-lS5iBs0-r84_xREO9WA1bzhKeWyL7ZOqq6I3ZqamN01pXZ2dcYjXJasCM6EiFkRgWXDkbVr0KfMoCytse2pfs-uzATfZQBbM4_7o/s1600-h/4054278033_f8a61015f0_o.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 380px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCAkagNu-feZe76Y2wsu4CpqEDFNsFYE_W9oLcH81-lS5iBs0-r84_xREO9WA1bzhKeWyL7ZOqq6I3ZqamN01pXZ2dcYjXJasCM6EiFkRgWXDkbVr0KfMoCytse2pfs-uzATfZQBbM4_7o/s400/4054278033_f8a61015f0_o.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5398389201832025058" /></a><span class="Apple-style-span" style=" white-space: pre; font-family:Arial;font-size:13px;"><div>Reflections From ACADIA 09 by Ted Kimble</div></span><div><span class="Apple-style-span" style="font-family:Arial;font-size:100%;"><span class="Apple-style-span" style=" white-space: pre;font-size:13px;">Read more <a href="http://tedkimble.com/posts/4-on-the-implementation-of-scripting-in-architecture-reflections-from-acadia-09">here</a></span></span></div>Pablo C. Herrerahttp://www.blogger.com/profile/04232968762236315359noreply@blogger.com0tag:blogger.com,1999:blog-8327383274267119437.post-14389733201801925172009-10-27T14:49:00.000-07:002009-11-02T06:07:48.470-08:00SG Fall Event: Open Platform at TU Delft<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjXUEaMAJH1sfpglBj0VXEsMGXnZDJoalsNMmVA4-S7zu5dTzKN80UDh4q0X4JvyYgOjZAVuXPPpW8YdR8cpGb-Mve4DOW3Mi_RiRekH61RzD-uIwU1RLnE_NxzEC6hDizAq0F_NsreDvL/s1600-h/OpenPlatformPoster.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 300px; height: 284px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjXUEaMAJH1sfpglBj0VXEsMGXnZDJoalsNMmVA4-S7zu5dTzKN80UDh4q0X4JvyYgOjZAVuXPPpW8YdR8cpGb-Mve4DOW3Mi_RiRekH61RzD-uIwU1RLnE_NxzEC6hDizAq0F_NsreDvL/s400/OpenPlatformPoster.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5398389882346861922" /></a><div style="text-align: justify;">The deadline for applications is <span class="Apple-style-span" style="color:#FF0000;"><b>November 15th.</b></span></div><div style="text-align: justify;">Training in GenerativeComponents and Grasshopper</div><div style="text-align: justify;">Parallel workshop using alternative technologies (C++/OpenGL, RhinoScript, Processing)</div><div><div style="text-align: justify;">To more information please visit the <a href="http://www.smartgeometry.org/content/sg-fall-event-open-platform-tu-delft">website</a></div><div><div><div style="text-align: justify;">To register send an email to applications@smartgeometry.org</div><div style="text-align: justify;">All applicants will be notified on their acceptance on November 18th and to arrange fee payment.</div></div></div></div>Pablo C. Herrerahttp://www.blogger.com/profile/04232968762236315359noreply@blogger.com0